A review of the films I’ve seen this past week.
THE QUEEN (2006)
Helen Mirren certainly deserved her Oscar. One of the things I ve found most interesting about this movie is the way people read it. For example, my mom and my grandmother, both of whom loved Diana, both really identified with Queen Elizabeth and really felt sorry for her; I think that, as women, they were both sympathetic to the Queen and her constant battle to hold her position and keep her family together. In their eyes, Diana became an ungrateful woman who threw everything the Queen stood for back in her face. I see things somewhat differently; I appreciate the history of the monarchy, but I don t think the British people should still be supporting what have become mere figureheads with so much tax money. For me, it was an interesting look into the near-total irrelevance of the monarchy, and their lack of connection with the British people they pretend to rule. I identified more with the government and the Prime Minister, whom I think would prefer not to deal with the royals at all. How all of them respond to a national tragedy, and how it changes each of their perspectives on their positions, is fascinating. The genius of this film is that it makes sense wherever your sympathies lie, and it s fair to each. The performances are uniformly excellent (it s a shame that Helen Mirren overshadowed excellent work by Michael Sheen as Tony Blair). It s also sad that Blair is played so likeably (when he calls Diana the people s princess, you can really feel him becoming the people s PM), and yet we know that, as the Queen predicts, the public turned on him. Gorgeous, gorgeous movie. **** stars.
DISTURBIA (2007)
I liked this movie probably better than it deserved. Yes, it s a Rear Window variation about a high school kid under house arrest, and as these things do, it devolves into an action movie in the third act. But it s fun and well-made, and Shia LeBeouf is just one hell of a good actor. He s still not at the stage where I ll see anything he does, but that has more to do with his continuing association with Spielberg (Transformers and Indiana Jones 4 are both movies I m skipping) than with his talent. And he s very talented. Not a great movie, but fun to watch. ***1/2 stars.
BLACK CHRISTMAS (2006)
Ouch. Just, ouch, man. Even for an American horror film and a remake, this movie is a total piece of shit. One of the scariest things about the original, classic Black Christmas was that nothing was ever explained. They used to do that in the seventies; they used to create horror films that freaked out and scared the audience. Nowadays, with people being as pedantic and overly-literal as they are, this film apparently needs to have some sort of lame, predictable, unsatisfying explanation. It s total crap. And it s kind of disappointing, not just because I like Trachty, Lacey Chabert, and Mary Elizabeth Winstead, who are all wasted (and who all seem to be under the impression that they re playing the tuff Margot Kidder character from the original, leading to a boring sameness), but because this is made by the guy who made two of my favorite modern horror movies: Final Destination and the remake of Willard. This is just a completely forgettable piece of garbage. No stars.
MAY (2002)
Fascinating character study about a socially awkward girl who has trouble making friends and is taken advantage of a few times too many. Angela Bettis stars as May Dove Canady, a veterinarian s assistant who falls in love with a man who doesn t understand her, then finds solace in the arms of a beautiful but selfish co-worker (my darling Anna Faris), and finally decides to follow her mother s advice: if you can t be a friend, make a friend. It s creepy and atmospheric horror, with a bit of a twist on the Frankenstein mythos, but at heart it s just a compelling study of a character very well played by an actress who deserves more attention. **** stars.
THE WOODS (2005)
Lucky McKee directed May and Sick Girl, one of my favorite episodes of Showtime s Masters of Horror. He also directed this film, which then inexplicably sat on the shelf for nearly three years. Too bad, because compared to the recent glut of torture porn and over-literal remakes, this is a gem. McKee is obviously influenced by Dario Argento (this film in particular recalls Suspiria), but is much more interested in character than in situations and trendy, superficial shocks. The pace of The Woods builds and builds deliberately, and if it doesn t quite deliver in its final moments, it s still been a good ride. The period production, the photography, the acting, Bruce Campbell it s not a great film, but it s worth seeing. I can t wait to see Lucky McKee s next. ***1/2 stars.
THE PATSY (192
Boy, it was a revelation when Marion Davies started acting in comedies instead of fatuous costume dramas. When you watch her in her late twenties films, you can practically see her invent the screwball comedy acting style that Katharine Hepburn, Myrna Loy, and others had success with. And complementing her here is Marie Dressler, one of my favorite actors, whose career at this time was going so badly that apparently she was going to kill herself the very day she was given the role. King Vidor directs. Great stuff. ***1/2 stars.
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